The way I like to work
Doing a portrait commission I find the best there is. If possible I like to develop in-depth acquaintance with my client and subjects to understand their motivations and background. I wish to paint a meaningful context and background. When it concerns a group portrait I need to understand the relationships and I prefer to reflect interactions between the subjects.
Thus, I like to get to know the intended subject(s) of the portrait in person. During a couple of hours we talk and I take many pictures. Rounding off I do a few pencil sketches to memorize characteristic features. If possible I do a few oil paint sketches in my studio. Otherwise I just use the photographic material collected. For group portraits and for young children (and animals) that is really the only practical way to work.
If you desire a specific background or context I shall need images. Preferably from existing photographic material. However, I shall do research on the internet if needed.
If you wish so I shall propose composition ideas using photographic material before starting to paint.
Commissioned work is always painted in oils on top quality carriers. Linen canvas of course or masonite panel which is suited for realistic finepainting techniques. The painting will be finished with a so-called retouching varnish. If you wish I can deliver the painting with a simple but attractive “barge frame” (leaves total surface exposed) at a nominal extra charge.
**** To the right you see a slide-show of recent work